ANNAPURNA Purrs with Electricity


May 16, 2014


We’ve all heard the saying; “there’s a thin line between love and hate”. Such is the topic of debate in Sharr White’s emotionally charged play, Annapurna. When the lines of these polar-opposite emotions blur, the result is irrational rationality which everyone can relate to.


White’s play opens with Emma, a 50 something woman fleeing her second husband, unexpectedly dropping in on her ex-husband Ulysses. They have not seen each other in 20 years, after Emma disappeared one night with their son Sam. But Ulysses shares is much to blame for her sudden departure; he was a black-out alcoholic who drove his family away. Sam has discovered his father’s location and plans to visit him at any moment, Thus, prompting Emma to get to Ulysses first. She does and the next ninety-minutes are a roller-coaster of a ride. From laughter to tears, and rage to tenderness, this couple has an epic cathartic battle. Yes, there is a lot of pain on both sides, but underlying all the hurt, there is a deep love that still exists. When the fireworks explode, and they do quite often, we feel every emotion that Emma and Ulysses experience. And when the major climax comes, we are fully invested and completely engaged.


So the plot is strong, and when you add Megan Mullally, and her real-life husband Nick Offerman into the mix, the whole is greater than the sum of it’s parts. Mullally and Offerman play excellently off each other, never missing a moment. From the highs to the lows of their journey, we never disengage from them. Their pain and sorrow is palpable and you could hear a pin drop in the audience. We were afraid to move, scared that we may somehow interrupt them. Yet in their delicate predicament, the comic moments are spot on. Not surprisingly, Mullally has great delivery, but Offerman was unexpected; he was every bit as funny as Mullally delivering some of the funniest lines in the play. Underneath all the dismay and anger, the deep-love that these two shared is always there, and the tender moments are filled with sincerity and vulnerability.


Anyone who has ever lived can identify this play, and find themselves rooting for each character at different moments. Like most things, there is no clean cut “bad” guy here, rather there are two flawed people doing the best they can to cope with the perplexities of the human condition, When the tumultuous black and white lines between right and wrong and love and hate mix, we are at our finest because living in the gray area is when we experience the ironic beauty of being human. The cast and crew of Annapurna, dwell in this ambiguous area well and we are thankful for the chance to examine our our bewildering contradictions that co-exist in us.


Annapurna plays now through June 1, 2014 at 410 W.42nd St.




“Tough Titty” is a Terrifically Tough Piece of Flesh

May 2, 2014


“You have breast cancer.” Those four words strike fear into the hearts of every woman (and sometimes men) shaking them to their very core. Tough Titty, written by Oni Faida Lampley, dives head first into this scary world. Lampley uses compassion and humor to discuss this ominous topic. The result is a profoundly human and heart-felt journey of discovery and acceptance.


The story begins with Angela, an ostentatious young catholic school girl, making a bargain with God. She wants to misbehave now and redeem herself at the ripe old age of 36. Time passes and, at the age of 37, Angela gets some advice from a friend to get a mammogram. Thinking it is harmless and routine, she gets one and to her horror she finds out that she has breast cancer. The next 90 minutes are filled with her inner fears, being spoken aloud by an ensemble of actors, and her dreadful health decline. Angela is a strong woman who does everything she can to fight the cancer monster. Her husband, over-taken by his own fear and self-pity, offers her little support in her losing battle. Angela’s mother, and friend Imani are the only two supports she has to lean on. Angela’s seven year battle and ultimate descent takes us on a dark ride and leaves us feeling helpless. The audience wants to protect her from the demon and gets frustrated by their own powerlessness.


Ami Brabson plays Angela with great skill. Her ability to feel the multitude of raw emotions and gripping fears, that anyone would feel over such a terrible diagnosis, is honest and real. Her sincerity allows us to go on the helter-skeltar journey with her, ans we are grateful for the opportunity to enter into her decaying world. Elizabeth Van Dyke is compelling as Sheila, Angela’s mother. We feel her pain about watching her daughter’s demise at every turn. Sheila’s powerlessness is empathetic and palpable. Victor Williams plays the bottled -up husband with groundedness. His lack of emotional access is believable and, when he finally does allow himself to feel vulnerable, the audience has a true catharsis.


Overall, The other actors round out the cast well. Their ability to shape-shift frequently is commendable. However, some of the characterizations of the minor characters are stereotypical, which makes their presence jarring. For example, Antoinette Lavecchia, who has the most characters to play, goes too far in trying to make them all seem distinct. Lavecchia, has some fine moments, but sometimes she feels over-the-top and in a different play altogether. Similarly,Christine Toy Johnson falls into the same trap, at certain moments. It is unclear whether the writing or the direction are too blame for this mishap. It’s a shame because the realistic beauty of the play is jolted when these superficial characters act so differently than the rest of the play. I think they were meant to provide comedic relief, but the comedy is base and seems more disruptive than fun. As it is now the forced, supposed comedy is at battle with the rest of the play and doesn’t compliment it.


In one unexpected moment Angela meets Mr. Whiteman in a waiting room. We discover that he, in fact, has breast cancer. This was a beautiful moment that shattered prevalent beliefs that men can’t get breast cancer. I wish Lampley would have went further with this moment. Jason Sherwood’s set is fantastic, allowing the actors to create many different locales flawlessly. The humanness of Tough Titty, makes its emotional impact real and poignant. Thanks to this production, we are able to walk a mile in their shoes and leave the theater thankful for being able to do so with a lot to think about.


Tough Titty plays now through May 11, 2014 at the Paradise Factory, 64 E 4th St, with performances Wed.-Sat. at 8pm and Sundays at 7pm, there is also a show on Monday, 5/5 at 8pm. Tickets are $18 and can be purchased online at or by phone at 212-868-4444.